DW Classical Music | 조회수: 1.8M | 좋아요: 16.2KBeethoven: Symphony No. 3 Eroica | Michael Boder & ORF Vienna Radio Symphony Orchestra
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작성일 25-12-05 16:43
#Beethoven #Symphony No. 3 Eroica #Sinfonia Eroica #영웅 #베토벤 #교향곡 3번
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It is one of the most popular symphonies ever: Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op. 55, also called Eroica. Here it is performed by the ORF Vienna Radio Symphony Orchestra conducted by Michael Boder at the Beethovenfest Bonn 2021 at the World Conference Center Bonn (WCCB). (00:00) Symphony No. 3 in E-flat major, Op. 55, Eroica (00:36) I. Allegro con brio (17:38) II. Marcia funebre (Adagio assai) (30:18) III. Scherzo (Allegro vivace) (36:03) IV. Finale: Allegro molto - Poco andante – Presto Ludwig van Beethoven (1770 - 1827) began planning his Symphony No. 3 in the fall of 1802, composing most of it in 1803, and probably not completing it until early 1804. The private premiere happened in the same year. The first public performance took place on April 7, 1805 and was conducted by Beethoven himself. Because of the epithet ‘Eroica’ (the Heroic one), Beethoven’s third symphony is commonly linked to Napoleon. However, Beethoven’s relationship to Napoleon was rather ambivalent: on the one hand, he was fascinated by Napoleon’s ideals, but at the same time he was deeply repelled by the fact that he had proclaimed himself emperor. Later, however, Beethoven is said to have revered Napoleon. His ambivalent attitude is also evidenced by the addition of the words “written on Bonaparte” to the copy of the score, which he initially erased, but later added in again. It is also unknown, however, who the hero could be to whom Beethoven dedicated the Eroica with the words “Sinfonia Eroica composta per celebrare la morte d’un Eroe”. Researchers doubt that he could have meant Napoleon. Whatever the case, Beethoven dedicated his third symphony to a hero whose funeral he commemorates in the second movement with a brilliant funeral march and who he resurrects triumphantly at the end of the fourth movement. Perhaps it is precisely this range of emotions, from serious, deepest mourning to joyfully enthusiastic exaltation that makes Beethoven’s Eroica so appealing. Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic #Beethoven #Eroica #MichaelBoder
Beethoven: Symphony No. 3 Eroica | Michael Boder & ORF Vienna Radio Symphony Orchestra
#Beethoven #Symphony No. 3 Eroica #Sinfonia Eroica #영웅 #베토벤 #교향곡 3번
아래 박스안에 나오는 유튜브 상세내용은
지금 이 사이트가 아닌 유튜브에서 그대로 불러온 내용으로
여기에 저장되지 않으며 사이트 검색에서 검색되지 않습니다.
이벤트나 다른 관련 내용이 있는 영상은 해당 유튜브 채널에서 확인하시기 바랍니다.
Beethoven: Symphony No. 3 Eroica | Michael Boder & ORF Vienna Radio Symphony Orchestra
It is one of the most popular symphonies ever: Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op. 55, also called Eroica. Here it is performed by the ORF Vienna Radio Symphony Orchestra conducted by Michael Boder at the Beethovenfest Bonn 2021 at the World Conference Center Bonn (WCCB). (00:00) Symphony No. 3 in E-flat major, Op. 55, Eroica (00:36) I. Allegro con brio (17:38) II. Marcia funebre (Adagio assai) (30:18) III. Scherzo (Allegro vivace) (36:03) IV. Finale: Allegro molto - Poco andante – Presto Ludwig van Beethoven (1770 - 1827) began planning his Symphony No. 3 in the fall of 1802, composing most of it in 1803, and probably not completing it until early 1804. The private premiere happened in the same year. The first public performance took place on April 7, 1805 and was conducted by Beethoven himself. Because of the epithet ‘Eroica’ (the Heroic one), Beethoven’s third symphony is commonly linked to Napoleon. However, Beethoven’s relationship to Napoleon was rather ambivalent: on the one hand, he was fascinated by Napoleon’s ideals, but at the same time he was deeply repelled by the fact that he had proclaimed himself emperor. Later, however, Beethoven is said to have revered Napoleon. His ambivalent attitude is also evidenced by the addition of the words “written on Bonaparte” to the copy of the score, which he initially erased, but later added in again. It is also unknown, however, who the hero could be to whom Beethoven dedicated the Eroica with the words “Sinfonia Eroica composta per celebrare la morte d’un Eroe”. Researchers doubt that he could have meant Napoleon. Whatever the case, Beethoven dedicated his third symphony to a hero whose funeral he commemorates in the second movement with a brilliant funeral march and who he resurrects triumphantly at the end of the fourth movement. Perhaps it is precisely this range of emotions, from serious, deepest mourning to joyfully enthusiastic exaltation that makes Beethoven’s Eroica so appealing. Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic #Beethoven #Eroica #MichaelBoder